For the majority of mollusks, the visible organic form has little importance in the life of the members of a species, since they cannot see one another and have, at most, only a vague perception of other individuals and of their surroundings. This does not prevent brightly colored stripings and forms which seem very beautiful to our eyes (as in many gastropod shells) from existing independently of any relationship to visibility.
Like me, when I was clinging to that rock, you mean? -- Qfwfq asked, -- With the waves rising and falling, and me there, still, flat, sucking what there was to suck and thinking about it all the time? If that's the time you want to know about, there isn't much I can tell you. Form? I didn't have any; that is, I didn't know I had one, or rather I didn't know you could have one. I grew more or less on all sides, at random; if this is what you call radial symmetry, I suppose I had radial symmetry, but to tell you the truth I never paid any attention to it. Why should I have grown more on one side than on the other? I had no eyes, no head, no part of the body that was different from any other part; now I try to persuade myself that the two holes I had were a mouth and an anus, and that I therefore already had my bilateral symmetry, just like the trilobites and the rest of you, but in my memory I really can't tell those holes apart, I passed stuff from whatever side I felt like, inside or outside was the same, differences and repugnances came along much later. Every now and then I was seized by fantasies, that's true; for example, the notion of scratching my armpit, or crossing my legs, or once even of growing a mustache. I use these words here with you, to make myself clear; then there were many details I couldn't foresee: I had some cells, one more or less the same as another, and they all did more or less the same job. But since I had no form I could feel all possible forms in myself, and all actions and expressions and possibilities of making noises, even rude ones. In short, there were no limitations to my thoughts, which weren't thoughts, after all, because I had no brain to think them; every cell on its own thought every thinkable thing all at once, not through images, since we had no images of any kind at our disposal, but simply in that indeterminate way of feeling oneself there, which did not prevent us from feeling ourselves equally there in some other way.
It was a rich and free and contented condition, my condition at that time, quite the contrary of what you might think. I was a bachelor (our system of reproduction in those days didn't require even temporary couplings), healthy, without too many ambitions. When you're young, all evolution lies before you, every road is open to you, and at the same time you can enjoy the fact of being there on the rock, flat mollusk-pulp, damp and happy. If you compare yourself with the limitations that came afterwards, if you think of how having one form excludes other forms, of the monotonous routine where you finally feel trapped, well, I don't mind saying life was beautiful in those days.
To be sure, I lived a bit withdrawn into myself, that's true, no comparison with our interrelated life nowadays; and I'll also admit that -- partly because of my age and partly under the influence of my surroundings -- I was what they call a narcissist to a slight extent; I mean I stayed there observing myself all the time, I saw all my good points and all my defects, and I liked myself for the former and for the latter; I had no terms of comparison, you must remember that, too.
But I wasn't so backward that I didn't know something else existed beyond me: the rock where I clung, obviously, and also the water that reached me with every wave, but other stuff, too, farther on: that is, the world. The water was a source of information, reliable and precise: it brought me edible substances which I absorbed through all my surface, and other inedible ones which still helped me form an idea of what there was around. The system worked like this: a wave would come, and I, still sticking to the rock, would raise myself up a little bit, imperceptibly -- all I had to do was loosen the pressure slightly -- and, splat, the water passed beneath me, full of substances and sensations and stimuli. You never knew how those stimuli were going to turn out, sometimes a tickling that made you die laughing, other times a shudder, a burning, and itch; so it was a constant seesaw of amusement and emotion. But you mustn't think I just lay there passively, dumbly accepting everything that came: after a while I had acquired some experience and I was quick to analyze what sort of stuff was arriving and to decide how I should behave, to make the best use of it or to avoid the more unpleasant consequences. It was all a kind of game of contractions, with each of the cells I had, or of relaxing at the right moment: and I could make my choices, reject, attract, even spit.
And so I learned that there were the others, the element surrounding me was filled with traces of them, others hostile and different from me or else disgustingly similar. No, now I'm giving you a disagreeable idea of my character, which is all wrong. Naturally, each of us went about on his own business, but the presence of the others reassured me, created an inhabited zone around me, freed me from the fear of being an alarming exception, which I would have been if the fact of existing had been my fate alone, a kind of exile.
So I knew that some of the others were female. The water transmitted a special vibration, a kind of brrrum brrrum brrrum, I remember when I became aware of it the first time, or rather, not the first, I remember when I became aware of being aware of it as a thing I had always known. At the discovery of these vibrations' existence, I was seized with a great curiosity, not so much to see them, or to be seen by them either -- since, first, we hadn't any sight, and secondly, the sexes weren't yet differentiated, each individual was identical with every other individual and at looking at one or another I would have felt no more pleasure than in looking at myself -- but a curiosity to know whether something would happen between me and them. A desperation filled me, a desired not to do anything special, which would have been out of place, knowing that there was nothing special to do, or nonspecial either, but to respond in some way to that vibration with a corresponding vibration, or rather, with a personal vibration of my own, because, sure enough, there was something there wasn't exactly the same as the other, I mean now you might say it came from hormones, but for me it was very beautiful.
So then, one of them, shlup shlup shlup, emitted her eggs, and I, shlup shlup shlup, fertilized them: all down inside the sea, mingling in the water tepid from the sun; oh, I forgot to tell you, I could feel the sun, which warmed the sea and heated the rock.
One of them, I said. Because, among all those female messages that the sea slammed against me like an indistinct soup at first where everything was all right with me and I grubbed about paying no attention to what one was like or another, suddenly I understood what corresponded best to my tastes, tastes which I hadn't known before that moment, of course. In other words, I had fallen in love. What I mean is: I had begun to recognize, to isolate the signs of one of those from the others, in fact I waited for these signs I had begun to recognize, I sought them, responded to those signs I awaited with other signs I made myself, or rather it was I who aroused them, these signs from her, which I answered with other signs of my own, I mean I was in love with her and she with me, so what more could I want from life?
Now habits have changed, and it already seems inconceivable to you that one could love a female like that, without having spent any time with her. And yet, through that unmistakable part of her still in solution in the sea water, which the waves placed at my disposal, I received a quantity of information about her, more than you can imagine: not the superficial, generic information you get now, seeing and smelling and touching and hearing a voice, but essential information, which I could then develop at length in my imagination. I could think of her with minute precision, thinking not so much of how she was made, which would have been a banal and vulgar way of thinking of her, but of how from her present formlessness she would be transformed into one of the infinite possible forms, still remaining herself, however. I didn't imagine the forms that she might assume, but I imagined the special quality that, in taking them, she would give to those forms.
I knew her well, in other words. And I wasn't sure of her. Every now and then I was overcome with suspicion, anxiety, rage. I didn't let anything show, you know my character, but beneath that impassive mask passed suppositions I can't bring myself to confess even now. More than once I suspected she was unfaithful to me, that she sent messages not only to me but also to others; more than once I thought I had intercepted one, or that I had discovered a tone of insincerity in a message addressed to me. I was jealous, I can admit it now, not so much out of distrust of her as out of unsureness of myself: who could assure me that she had really understood who I was? Or that she had understood the fact that I was? This relationship achieved between us thanks to the sea water -- a full, complete relationship, what more could I ask for? -- was for me something absolutely personal, between two unique and distinct individualities; but for her? Who could assure me that what she might find in me she hadn't also found in another, or in another two or three or ten or a hundred like me? Who could assure me that her abandon in our shared relations wasn't an indiscriminate abandon, slapdash, a kind of -- who's next? -- collective ecstasy?
The fact that these suspicions did not correspond to the truth was confirmed, for me, by the subtle, soft, private vibration, at times still trembling with modesty, in our correspondences; but what if, precisely out of shyness and inexperience, she didn't pay enough attention to my characteristics and others took advantage of this innocence to worm their way in? And what if she, a novice, believed it was still I and couldn't distinguish one from the other, and so our most intimate play was extended to a circle of strangers ... ?
It was then that I began to secret calcareous matter. I wanted to make something to mark my presence in an unmistakable fashion, something that would defend this individual presence of mine from the indiscriminate instability of all the rest. Now it's no use my piling up words, trying to explain the novelty of this intention I had; the first word I said is more than enough: make, I wanted to make, and considering the fact that I had never made anything or thought you could make anything, this in itself was a big event. So I began to make the first thing that occurred to me, and it was a shell. From the margin of that fleshy cloak on my body, using certain glands, I began to give off secretions which took on a curving shape all around, until I was covered with a hard and variegated shield, rough on the outside and smooth and shiny inside. Naturally, I had no way of controlling the form of what I was making: I just stayed there all huddled up, silent and sluggish, and I secreted. I went on even after the shell covered my whole body; I began another turn; in short, I was getting one of those shells all twisted into a spiral, which you, when you see them, think are so hard to make, but all you have to do is keep working and giving off the same matter without stopping, and they grow like that, one turn after the other.
Once it existed, this shell was also a necessary and indispensable place to stay inside of, a defense for my survival; it was a lucky thing I had made it, but while I was making it I had no idea of making it because I needed it; on the contrary, it was like when somebody lets out an exclamation he could perfectly well not make, and yet he makes it, like "Ha" or "hmph!," that's how I made the shell: simply to express myself. And in this self-expression I put all the thoughts I had about her, I released the anger she made me feel, my amorous way of thinking about her, my determination to exist for her, the desire for me to be me, and for her to be her -- all the things that could be said only in that conch shell wound into a spiral.
At regular intervals the calcareous matter I was secreting came out colored, so a number of lovely stripes were formed running straight through the spirals, and this shell was a thing different from me but also the truest part of me, the explanation of who I was, my portrait translated into a rhythmic system of volumes and stripes and colors and hard matter, and it was the portrait of her as she was, because at the same time she was making herself a shell identical to mine and without knowing it I was copying what she was doing and she without knowing it was copying what I was doing, and all the others were copying all the others, so we would be back where we had been before except for the fact that in saying these shells were the same I was a bit hasty, because when you looked closer you discovered all sorts of little differences that later on might become enormous.
So I can say that my shell made itself, without my taking any special pains to have it come out one way rather than another, but this doesn't mean that I was absent-minded during that time; I applied myself, instead, to that act of secreting, without allowing myself a moment's distraction, never thinking of anything else, or rather: thinking always of something else, since I didn't know how to think of the shell, just as, for that matter, I didn't know how to think of anything else either, but I accompanied the effort of making the shell with the effort of thinking I was making something, that is anything: that is, I thought of all the things it would be possible to make. So it wasn't even a monotonous task, because the effort of thinking which accompanied it spread toward countless types of thoughts which spread, each one, toward countless types of actions that might each serve to make countless things, and making each of these things was implicit in making the shell grow, turn after turn ...
(And so now, after five hundred million years have gone by, I look around and, above the rock, I see the railway embankment and the train passing along it with a party of Dutch girls looking out of the window and, in the last compartment, a solitary traveler reading Herodotus in a bilingual edition, and the train vanishes into the tunnel under the highway, where there is a sign with the pyramids and the words "VISIT EGYPT," and a little ice-cream wagon tries to pass a big truck laden with installments of Rh-Stijl, a periodical encyclopedia that comes out in paperback, but then it puts its brakes on because its visibility is blocked by a cloud of bees which crosses the road coming from a row of hives in a field from which surely a queen is flying away, drawing behind her a swarm in the direction opposite to the smoke of the train, which has reappeared at the other end of the tunnel, so you can see hardly anything thanks to the cloudy stream of bees and coal smoke, except a few yards farther up there is a peasant breaking the ground with his mattock and, unaware, he brings to light and reburies a fragment of a Neolithic mattock similar to his own, in a garden that surrounds an astronomical observatory with its telescopes aimed at the sky and on whose threshold the keeper's daughter sits reading the horoscopes in a weekly whose cover displays the face of the star of Cleopatra: I see all this and I feel no amazement because making the shell implied also making the honey in the wax comb and the coal and the telescopes and the reign of Cleopatra and the films about Cleopatra and the pyramids and the design of the zodiac of the Chaldean astrologers and the wars and empires Herodotus speaks of and the words written by Herodotus and the works written in all languages including those of Spinoza in Dutch and the fourteen-line summary of Spinoza's life and works in the installment of the encyclopedia in the truck passed by the ice-cream wagon, and so I feel as if, in making the shell, I had also made the rest.
I look around, and whom am I looking for? She is still the one I seek; I've been in love for five hundred million years, and if I see a Dutch girl on the sand with a beachboy wearing a golden chain around his neck and showing her the swarm of bees to frighten her, there she is: I recognize her from her inimitable way of raising one shoulder until it almost touches her cheek, I'm almost sure, or rather I'd say absolutely sure if it weren't for a certain resemblance that I find also in the daughter of the keeper of the observatory, and in the photograph of the actress made up as Cleopatra, or perhaps in Cleopatra as she really was in person, for what part of the true Cleopatra they say every representation of Cleopatra contains, or in the queen bee flying at the head of the swarm with that forward impetuousness, or in the paper woman cut out and pasted on the plastic windshield of the little ice-cream wagon, wearing a bathing suit like the Dutch girl on the beach now listening over a little transistor radio to the voice of a woman singing, the same voice that the encyclopedia truck driver hears over his radio, and the same one I'm now sure I've heard for five million years, it is surely she I hear singing and whose image I look for all around, seeing only gulls volplaning on the surface of the sea where a school of anchovies glistens and for a moment I am certain I recognize her in a female gull and a moment later I suspect that instead she's an anchovy, though she might just as well be any queen or slave-girl named by Herodotus or only hinted at in the pages of the volume left to mark the seat of the reader who has stepped into the corridor of the train to strike up a conversation with the party of Dutch tourists; I might say I am in love with each of those girls and at the same time I am sure of being in love always with her alone.
And the more I torment myself with love for each of them, the less I can bring myself to say to them: "Here I am!," afraid of being mistaken and even more afraid that she's mistaken, taking me for somebody else, for somebody who, for all she knows of me, might easily take my place, for example the beachboy with the gold chain, or the director of the observatory, or a gull, or a male anchovy, or the reader of Herodotus, or Herodotus himself, or the vendor of ice cream, who has come down to the beach along a dusty road among the prickly pears and is now surrounded by the Dutch girls in their bathing suits, or Spinoza, or the truck driver who is transporting the life and works of Spinoza summarized and repeated two thousand times, or one of the drones dying at the bottom of the hive after having fulfilled his role in the continuation of the species.)
... Which doesn't mean that the shell wasn't, first and foremost, a shell, with its particular form, which couldn't be any different because it was the very form I had given it, the only one I could or would give it. Since the shell had a form, the form of the world was also changed, in the sense that now it included the form of the world as it had been without a shell plus the form of the shell.
And that had great consequences: because the waving vibrations of light, striking bodies, produce particular effects from them, color first of all, namely, that matter I used to make stripes with which vibrated in a different way from teh rest; but there was also the fact that a volume enters into a special relationship of volumes with other volumes, all phenomena I couldn't be aware of, though they existed.
The shell in this way was able to create visual images of shells, which are things very similar -- as far as we know -- to the shell itself, except that the shell is here, whereas the images of it are formed elsewhere, possibly on a retina. An image therefore presupposes a retina, which in turn presupposes a complex system stemming from an encephalon. So, in producing the shell, I also produced its image -- not one, of course, but many, because with one shell you can make as many shell-images as you want -- but only potential images because to form an image you need all the requisites I mentioned before: an encephalon with its optic ganglia, and an optic nerve to carry the vibrations from outside to inside, and this optic nerve, at the other extremity, ends in something made purposely to see what there is outside, namely the eye. Now it's ridiculous to think that, having an encephalon, one would simply drop a nerve like a fishing line cast into the darkness; until the eyes crop up, one can't know whether there is something to be seen outside or not. For myself, I had none of this equipment, so I was the least authorized to speak of it; however, I had conceived an idea of my own, namely that the important thing was to form some visual images, and the eyes would come later in consequence. So I concentrated on making the part of me that was outside (and even the interior part of me that conditioned the exterior) give rise to an image, or rather to what would later be called a lovely image (when compared to other images considered less lovely, or rather ugly, or simply revoltingly hideous).
When a body succeeds in emitting or in reflecting luminous vibrations in a distinct and recognizable order -- I thought -- what does it do with these vibrations? Put them in its pocket? No, it releases them on the first passer-by. And how will the latter behave in the face of vibrations he can't utilize and which, taken in this way, might even be annoying? Hide his head in a hole? No, he'll thrust it out in that direction until the point most exposed to the optic vibrations becomes sensitized and develops the mechanism for exploiting them in the form of images. In short, I conceived of the eye-encephalon link as a kind of tunnel dug from the outside by the force of what was ready to become image, rather than from within by the intention of picking up any old image.
And I wasn't mistaken: even today I'm sure that the project -- in its over-all aspect -- was right. But my error lay in thinking that sight would also come to us, that is to me and to her. I elaborated a harmonious, colored image of myself to enter her visual receptivity, to occupy its center, to settle there, so that she could utilize me constantly, in dreaming and in memory, with thought as well as with sight. And I felt at the same time she was radiating an image of herself so perfect that it would impose itself on my foggy, backward senses, developing in me an interior visual field where it would blaze forth definitely.
So our efforts led us to become those perfect objects of a sense whose nature nobody quite knew yet, and which later became perfect precisely through the perfection of its object, which was, in fact, us. I'm talking about sight, the eyes; only I had failed to foresee one thing: the eyes that finally opened to see us didn't belong to us but to others.
Shapeless, colorless beings, sacks of guts stuck together carelessly, peopled the world all around us, without giving the slightest thought to what they should make of themselves, to how to express themselves and identify themselves in a stable, complete form, such as to enrich the visual possibilities of whoever saw them. They came and went, sank a while, then emerged, in that space between air and water and rock, wandering about absently; and we in the meanwhile, she and I and all those intent on squeezing out a form of ourselves, were there slaving away at our dark task. Thanks to us, that badly defined space became a visual field; and who reaped the benefit? These intruders, who had never before given a thought to the possibility of eyesight (ugly as they were, they wouldn't have gained a thing by seeing one another), these creatures who had always turned a deaf ear to the vocation of form. While we were bent over, doing the hardest part of the job, that is, creating something to be seen, they were quietly taking on the easiest part: adapting they lazy, embryonic receptive organs to what there was to receive; our images. And they needn't try telling me now that their job was toilsome too: from that gluey mess that filled their heads anything could have come out, and a photosensitive mechanism doesn't take all that much trouble to put together. But when it comes to perfecting it, that's another story! How can you, if you don't have visible objects to see, gaudy ones even, the kind that impose themselves on the eyesight? To sum it up in a few words: they developed eyes at our expense.
So sight, out sight, which we were obscurely waiting for, was the sight that the others had of us. In one way or another, the great revolution had taken place: all of a sudden, around us, eyes were opening, and corneas and irises and pupils: the swollen, colorless eye of polyps and cuttlefish, the dazed and gelatinous eyes of bream and mullet, the protruding and peduncled eyes of crayfish and lobsters, the bulging and faceted eyes of flies and ants. A seal now comes forward, black and shiny, winking little eyes like pinheads. A snail extends ball-like eyes at the end of long antennae. The inexpressive eyes of the gull examine the surface of the water. Beyond a glass mask the frowning eyes of an underwater fisherman explore the depths. Through the lens of a spyglass a sea captain's eyes and the eyes of a woman bathing converge on my shell, then look at each other, forgetting me. Framed by far-sighted lenses I feel on me the far-sighted eyes of a zoologist, trying to frame me in the eyes of a Rolleiflex. At that moment a school of tiny anchovies, barely born, passes before me, so tiny that in each little white fish it seems there is room only for the eye's black dot, and it' a kind of eye-dust that crosses the sea.
All these eyes were mine. I had made them possible; I had had the active part; I furnished them the raw material, the image. With eyes had come all the rest, so everything that the others, having eyes, had become, their every form and function, and the quantity of things that, thanks to eyes, they had managed to do, in their every form and function, came from what I had done. Of course, they were not just casually implicit in my being there, in my having relations with others, male and female, et cetera, in my setting out to make a shell, et cetera. In other words, I had foreseen absolutely everything.
And at the bottom of each of those eyes I lived, or rather another me lived, one of the images of me, and it encountered the image of her, the most faithful image of her, in that beyond which opens, past the semiliquid sphere of the irises, in the darkness of the pupils, the mirrored hall of the retinas, in our true element which extends without shores, without boundaries.